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Sunday, 3 May 2020

What does Fashion have to do with Biodiversity Loss and Environmental Damage?


The impact of the fashion industry is far reaching and there is no way to cover every element where it's impacts are felt, whether that be good or bad. But in light of Earth Day and Fashion Revolution Week, I thought it was about time I tried to highlight just some of the ways the Fashion industry is playing a role in from habitat destruction, water pollution and land degradation to energy requirements and waste production.

How we consume fashion has altered dramatically over the past 20 years. Our fashion consumption doubled between 2000 and 2014 (1), yet 50% of the fast fashion garments purchased are thrown away within a year. In Europe, the average number of collections per year for fashion companies went from averaging two in 2000 to five in 2011. Whilst Zara somehow manages to release 24 collections. For comparison, H&M put out between 12 and 16 out.

This excessive buying and waste was naturally going to have an impact, how could it not? From the land required to grow cotton, or the oil needed to create polyester, to the millions are new garment workers required to meet the demand and the chemicals needed to create the colours for that season. All production has had to grow.

Chemical Use in Fashion

Lets begin with cotton, I won't spend much time on this but most cotton is heavily treated with chemicals in fact although it is only grown on 2.5% of the world’s agricultural land, it consumes 16% of all the insecticides and 6.8% of all herbicides used worldwide (2). Not just that though, insecticides and herbicides also destroy the pests natural predators whilst also destroying the soil quality which in turn leads to lower crop yields for farmers. Yet with 73 percent of global cotton harvest comes from irrigated land (3) vital resources like water are also being over used and enabling pesticides and herbicides to penetrate deeper into the soils.

On top of this, chemical run of into other land areas, especially if the cotton is grown near forests eventually leads to our water system being polluted. Stacey Dooley's documentary also brought to light something I was taught at uni, that these chemicals and the high exposure is impacting on the communities that live their causing a variety of life threatening conditions and birth defects. Organic cotton is trying to help solve at least some of these problems by removing / only allowing a small number of certified herbicides and pesticides to be used on the cotton but their is still alot of the cotton growing industry that's causing damage(4).

At the other end of the garment process fluorinated chemicals are still being used even though they are among the world most toxic materials in the world (YES, THEY ARE STILL GOING INTO OUR CLOTHES). Formaldehyde, a known carcinogen which can lead to cancer and is known to be an endocrine disrupter is also still being used in our clothing production to get certain effects like waterproofing or crease proofing that customers demand, although I cant imagine they would if they knew the risk (5)!

There are some brands now fighting the norm though and choosing to stay away from these dangerous chemicals. Levi's chose to not add a fluorinated chemical which helps create stain resistance because they felt the environmental impact was too high, just like Patagonia opted to not add a formaldhyde chemical which prevents creasing to their garments.

Sadly though, we still have a long way before the majority of brands are putting planet and peoples health above the look of the garment they are choosing to create.

Water Pollution created by the Fashion Industry

Chemicals and water pollution for the fashion industry tend to come pretty much hand in hand. Textile dyeing is the world’s second-largest polluter of water, since the water leftover from the dyeing process is often dumped into ditches, streams, or rivers. In fact, the fashion industry is responsible for 20% of all industrial water pollution worldwide (7).

Lack of legislation in many of the countries where the dying and tanning processes takes place leads to this issue and illegal dumping of waste and the heavy metals is common due to regulation (if there are any) not being well enforced. The result?  The  world’s largest clothes exporter, China have declared that nearly one third of the countries’ rivers are classified as “too polluted for any direct human contact”. The same pattern is seen all over the world, and the documentary River Blue is a real eye opener into the true scale of the problem.

Water being polluted isn't just an issue in the process of making our clothes though sadly. The International Union for Conservation of Nature (IUCN) estimated that 35% of all microplastics in the ocean came from the laundering of synthetic textiles like polyester which is a staggering. Although we are creating clothing our of old plastic fishing nets for example this doesn't stop them shedding in the wash.

Due to the size of of the microfibres that are shed as well, the filters used to clean our water are unable to capture them resulting in microfibres being found in every river studied to date along with being in the vast amount of ocean species. A scary reality check for us all.

At the moment, there are only a few options to try and reduce microfibre shedding with the likes of guppy bags (although some studies don't believe they work well). The best option though, is choosing fabrics with low levels of elastin and plastic fibres or are made completely of natural fibres such as  cotton, wool, bamboo and hemp being fantastic options. That way, no shedding would take place because there is no plastic is in the garment to begin with. For those items that you can't help needing, be sure to try and wash garments less frequently to reduce how often shredding can take place.

The Effect of the Fashion Industry on Biodiversity 

The impact the fashion industry has through out the creation process is pretty obvious to most. The destruction of biodiversity during the growing of crops used and the the degradation of soil mentioned before due to the use of pesticides and herbicides has lead to rapid species decline (7).

To meet the growing demand, land has also had to be cleared to enable new cotton and fabric plants to grow, which will have inevitably caused habitat destruction and in some cases, the creation of habitat separation. The issue with this island style clearing that can take place, is if the remaining pocket of habitat for the species is not big enough, the species will be unable to sustain themselves with genetic diversity and result in eventual species extinction. We also can't ignore the fashion industry demand on oil, which is a result of fibres like polyester (the most common fibre in the world) and nylon. In turn, this means that they are partially responsible for the the oil spills that still happen on a regular basis (even if they are not regularly broadcast to the public). Now this may not be a direct result of their actions, but as we know, demand leads to creation and supply.

The impact sadly doesn't end with cotton or polyester though, leather and viscose have been linked to the deforestation of the Amazon due to clearing for cattle grazing and trees to meet viscose demand. Desertification is also taking place due to unsustainable agriculture practices taking place. Cashmere goats overgrazing in Mongolia’s grasslands provides just one example, and thy have been found to be responsible for more than three-quarters of the decline in grasslands, which is intricately linked with soil erosion (9).

The devastating consequences felt from the growing need for materials is most obvious in Uzbekistan. With the demand for cotton in the region, new farms were set up and water filtered from the rivers and away from the Aral Sea. So much so that in 50 years, the sea had completely vanished. Once one of the world’s four largest lakes, the Aral Sea is now little more than desert and a few small ponds. This of course not only had a dramatic impact on the people that relied on the lake for their livelihoods but also all of the unique species that once called it home which are sadly now all gone (9).

Biodiversity has also taken a hit in so many of the river systems due to the high levels of pollution pumped out during the dying and tanning process. In rivers like Bangladesh's Buriganga, that see vast amounts of chemical waste disposed into it from the buzzing garment industry on its shores, the river is incapable of supporting almost any animal life and this is not a one off event (10).

There is hope for Bangladesh at least though, with the announcement last year that The Bangladeshi Supreme Court has given all rivers in the country legal rights. This means that "people who damage a river can get taken to court by the government-appointed National River Conservation Commission. They’ll be tried as if they’d harmed a living entity, because each river now has the right to life. That means the river’s government-designated human representatives can sue on its behalf when it’s being endangered" (11). It's early days as to whether this will rapidly help reduce pollution and enable species to return back to the waters but at least its a start.

Waste Produced by the Fashion Industry 

The equivalent of one garbage truck full of clothes is burned or dumped in a landfill every second. Or in numbers, it's estimated that the fashion industry produces 92 million tons of textile waste annually or 4% of the global waste. Now for products that we should hold on to and cherish, 4% is ALOT.

With only around 30% of clothes going to charity shops, its easy to see why and how so much of our clothing ends up as waste yet this doesn't solve the problem. Poor quality clothing that is produced quickly means that even though garments may be unwanted, they can not go onto new homes due to them being unable to last and instead, end up as waste.

Fast fashion and its poor quality is just one side of the story. The trend driven market is another. With fashion collections coming out so regularly, a recent survey found that on average, women are only wearing clothing pieces 7 times before getting rid of them shedding light to just how much of our wardrobe is not used or simply wasted.

As the fashion industry continues to grow, the amount of waste we are producing is only going to increase but there are brands and initiatives trying to help the cycle. From HURR to depop, rental and resale platforms are increasing helping to find new ways of utilising fashion whilst also reducing the amount of waste that may have originally been created. Now though, we need brands to step up and take control on their waste in the supply chain and their wasted stock. In recent years, luxury brands have made headlines because they've chosen to burn their stock to help retain brand value without thought of the impact on the environment. We need better!

The Fashion Industries Energy Demand 

With ever growing demand for fashion it is not surprise that the industry is responsible for 10% of humanity’s  annual carbon emissions. That's more than all international flights and maritime shipping combined! What may be even more staggering is that at this pace, the fashion industry’s greenhouse gas emissions will surge more than 50 % by 2030 (3). A figure that most definitely is not in line with the Paris Agreement and 1.5 degree temperature rise which is what the world is meant to be aiming for.

The energy demand and carbon emissions produced by the fashion industry mainly comes down to the size of the supply chain and its complexity. The shipping, and travel expense and emissions for each part of the fashion journey means that small adjustments to each stage could have a large impact. From using lighter storage boxes, to streamlining vehicles to reduce drag, to switching to electric vehicles that are powered by renewable energy. There are lots of options to explore and ways for the industry to do better, if they are determined.

Take Away on Fashion and the Environment 

The impact of the fashion industry is far reaching and at a larger scale than most people can imagine. It doesn't have to be this way though, if the demand for fashion was not continuously growing, then the need for further habitat destruction would vanish. If we could help create the infrastructure and regulations in the countries producing the clothing, rivers would not be polluted and instead wildlife would be able to come back. If we reduced our dependency on pesticides and herbicides through education and partnerships, crop yields would remain stable, soil would be in better condition and the risk to those living in the areas of production would be far lower. If we could learn how to mend our clothes, and create a system which enabled real recycling of fibres to be used again we would be able to dramatically reduce our waste. Finally, if all of the billion pound companies invested in their supply chain to encourage renewable energy supply, especially considering many of these countries experience a lot of sunlight, they could not only help reduce fashions footprints but also ensure clean energy for their workforce. A win win.
There is a long way to go. yet there are brands working to improve the industry through transparency and changing the system. We need clothes that last, that are beautiful and that are able to be enjoyed from generation to generation. Clothing is part of our identities, it how we express ourselves yet the fast fashion industry and its constant new trends every month, means many of us do not know what is our own style and what we have been sold. We need a fashion revolution back to slower times, where our environment can sustain our demand and that we can get to wear clothes that make us truly happy (as well as being well made and environmentally friendly).


 

References

1. https://www.mckinsey.com/business-functions/sustainability/our-insights/style-thats-sustainable-a-new-fast-fashion-formula
2. http://assets.wwf.org.uk/downloads/thirstycrops.pdf
3. https://organiccotton.org/oc/Cotton-general/Impact-of-cotton/Risk-of-cotton-farming.php
4.https://www.pan-uk.org/cottons_chemical_addiction_updated/
5. https://www.voguebusiness.com/technology/fashion-remove-toxic-chemicals-from-clothing
6. https://www.ellenmacarthurfoundation.org/assets/downloads/publications/A-New-Textiles-Economy_Full-Report_Updated_1-12-17.pdf
7. https://www.worldbank.org/en/news/feature/2019/09/23/costo-moda-medio-ambiente
8. https://www.voguebusiness.com/sustainability/fashion-biodiversity-problem-wildlife-stella-mccartney-kering
9. https://www.theguardian.com/sustainable-business/sustainable-fashion-blog/2014/oct/01/cotton-production-linked-to-images-of-the-dried-up-aral-sea-basin
10. River Blue Documentary
11. https://www.vox.com/future-perfect/2019/8/18/20803956/bangladesh-rivers-legal-personhood-rights-nature
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Sunday, 19 April 2020

What is Fashion Revolution Week All About?

What Is Fashion Revolution and Fashion Revolution Week?

Fashion Revolution Week runs every year in the week surrounding the 24th April.

For most people the 24th April does not signify anything major but this date is the anniversary of the 2013 Rana Plaza collapse, a catastrophic tragedy which really brought the reality of the lack of rights and transparency in the fashion industry to the forefront of many peoples eyes and minds. Rana Plaza, a building in Bangladesh, housed a number of garment factories, employing around 5,000 people. Those working there were producing clothes for many of the biggest global brands.

The building collapse saw over 1,100 people loose their life and another 2,500 people were injured making it the fourth largest industrial disaster in our history. The victims were predominantly women.

The most heartbreaking part of the tragedy was that the loss of life was preventable. In the aftermath, survivors came forward and publically explained  how all the employees knew the building was hazardous and showing cracks in the days leading up to the collapse. Multiple workers told their supervisors that they were afraid to enter the building but were forced to continue working or were threatened with loosing their jobs. The retails shops and banks on the ground floor shut down their operations due to building safety concerns, but the demand of global brands and an insatiable fashion industry called garment workers back inside to meet the never ending deadlines. The factories remained open and sadly many of  these workers who made our clothes lost their life as a result.

The truth of the situation was that many of the clothes made during this period of fear before the building collapse actually happened were packed in boxes and shipped to brands and retailers around the world and many of us bought and wore these garments stitched together in tragedy. One thing to be very aware of though, is that the culpable brands weren’t limited to ‘fast-fashion’, but included mid-price retailers. The attribute that unified all of the brands wasn’t the low price, but lack of transparency within their supply change .

Fashion Revolution as a movement was born because of the disaster. To raise the voices of those who are suffering and to change the way we look at the industry to prevent something like this ever happening again.

You can find out more about Fashion Revolution Week on the Fashion Revolution Activist Guide


What are the conditions actually like in the Fashion Industry?

The fashion industries supply chains are complex and global. Our clothes pass through the hands of cotton farmers, spinners, weavers, dyers, sewers and many more before they reach the shops where we come into contact with them (whether that is virtually or physically) and it is unknown how many people work within the industry as a result and child, trafficked and forced labour is something that is sadly rife.

77% of UK retailers believe there is a likelihood of modern slavery in their supply chain

Of the estimated 300 million people who work in the clothing industry, only around 25 to 60 million people are directly employed according to The Ellen MacArthur Foundation and most of those employed in the paid work are young women. With nearly 1 in 3 (or 8 in 10 from a more recent poll) female garment workers having experienced sexual harassment in the past 12 months, a statistic which should shock us all, the fashion industries contribution to gender inequality should be clear. Sadly though, harassment isn’t the only aspect their work garment workers have to fear. Fashion Revolution's website states "The Garment Worker Diaries project has found that less than half of the workers in their Bangladesh sample felt safe in their factories and 40% reported seeing a fire in their workplace." Demonstrating that those working in the factories are still regularly put at risk!

Over 90% of workers in the global garment industry have no possibility to negotiate their wages or conditions.

For the low pay, often below living wages in the countries where they work, garment workers are still exposed to so many risks that they shouldn't have to face and yet unable to demand better. Even recently their has been battles around unionisation.


How to get involved in Fashion Revolution Week 2020?

This year, Fashion Revolution Week is having to be a little different due to the current lock down climate. That doesn't mean that there aren't lots of things to get involved with though, it can just take a little longer to find out what's happening.

There are some simple things that we can all do though.

1. #WhoMadeMyClothes - On any social media platform you can join in to ask brands #WhoMadeMyClothes? and #WhatsInMyClothes? Be sure to tag them, as although only a few may respond, demonstrating the need for more transparent supply chains for fashion.

2. Email specific brands to ask #WhoMadeMyClothes? and #WhatsInMyClothes? using this email template. If you want to go further, be sure to ask questions on issues that really matter to you. For me that's biodiversity and sustainability. Fashion Revolution created a list of brands email address which makes it very easy to reach out.

3. Join in some online events. Fashion Revolution have pulled together lots of events online which vary from educational talks to panel discussions. Just a few which I think sound fantastic are below but there are SO many more:

20 April

13.00 Virtual Conversation With Kirsten Scott & Nina Van Volkinburg.

Kirsten Scott interviewed by Nina Von Volkinburg on the future relevance of heritage knowledge, materials and techniques in formulating a new, alternative paradigm of luxury fashion that aims to be pro-actively positive for people and planet.

14.00 Making Clothes Without Making Waste

Learn the basic principles of making a simple zero waste shirt, using scaled paper patterns. 30m Q&A with Holly McQuillan + Cassandra Macindoe.

18.00 Meet the Innovators – Fashion for Good

learn more about the start-ups at the cutting edge of sustainable fashion innovation. More information can be found on the Fashion Revolution website.

21 April

16.00 Fashion Supply Chains: What's Next?

How is Covid-19 impacting the fashion supply chain? This virtual panel discussion, sponsored by Sustainability at GSA, will explore how each stage of the business model is shifting, and focus on positive actions to make much-needed changes post-crisis.

19.30 A practical Guide to Ethical Trade

Natasha Staddon from TOC will show you how to maximise your potential to positively impact working conditions in your business and supply chain, learning the foundations of ethical compliance guiding you to online resources to support you on your journey. 

22 April

12.00 Live Q&A with Bethany Williams 

British fashion designer Bethany Williams joins us for a live stream Q&A on Earth Day to discuss her innovative and inclusive creative practice. 

13.00 Heritage & Style Talk with Alice Wilby

Alice Wilby is a stylist, creative and activist in fashion.
She has been working closely with Fashion Revolution over the years.
A woman on the frontline of fashion politics and she recently panelled at Show Studio and spoken at Conde Nast about her consultancy called "A Novel Approach " which integrates sustainable practices in fashion.

22.00 Natural Dye Workshop: Dyeing w/ Kitchen Compost with An 

Late on due to the time difference with America. the workshop will cover the fundamentals of natural dyeing with a focus on kitchen compost as the primary source for colour. A demonstration walking through the steps of prepping fabric, extracting dye from avocado skins, pits, and onion skins, and a Q&A will close out the session.

23 April

14.00 Shaping Fashion: What’s in my Clothes Webinar

five industry experts come together to discuss what clothes are made of.
- Carry Somers - Founder & Global Operations Director at Fashion Revolution
- Morten Lehmann - Chief Sustainability Officer at Global Fashion Agenda
- Sandra Capponi - Founder of Good on You
- Mariana Anacleto & Kyra Vennings - Part of 'Dirty Laundry' student collective at the Amsterdam Fashion Institute

18.30 Sustainable Fashion in the Wake of a Global Pandemic

A panel of small fashion business owners will discuss the state of sustainable fashion in the wake of the global coronavirus pandemic.

18.30 Manifesto for a Fashion Revolution

After Coronavirus, what kind of world do we want to return to? With this opportunity to reset our priorities, what do we want fashion to look like?

24 April

11.00 Mass consumption: The end of an era

Fashion Revolution is to stage a digital version of its annual Fashion Question Time event because of the current measures in place to contain the spread of the COVID-19 pandemic

15.00 Craftivism – Collective Action in the Making

We will discuss the power of doing craft during these uncertain times and discuss some ideas of craftivism projects you can do at home.

25 April

11.00 Deconstructing Fast Fashion

This online workshop we will unpick an unwanted or damaged garment from our own wardrobes, so please bring an unpicker or small scissors and a garment.

15.50 Fashion Open Studio X Somerset House

Bethany Williams explains how to disrupt the system and make new business models with a social purpose.

All Week Tickets 

Ethical Brands for Fashion Revolution - £15 for week pass

The event showcases brands doing good through ethical practices, sustainable sourcing and circular production practices. Running from 20th to 26th April 2020, we have 7 days of virtual talks, workshops and virtual tours. The event will cover Why?, What? and How? we can all take action for the biggest movement that has no plans on stopping due to coronavirus.


So there we have it. I hope this guide proves useful and that you can understand why Fashion Revolution Week is so important!

Love
Erin

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Friday, 8 March 2019

International Womens Day; 8 brands supporting Women around the World


It's International Women's Day! 

For me, International Women's Day is a day to celebrate, to show your love for all the women in your life but it is also about recognising the privilege I have to live, dress and work where I want and how I want, something many women are still not allowed to do. This years theme, #BalanceForBetter is all about us creating a world where everyone is treated equally because we all know a balanced world is a better one.
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Wednesday, 18 July 2018

The Warped Truth About Jobs In Fashion; The Value of Graduates



The fashion industry is a pretty bizarre world. The value of the clothes vs the value of the staff is a baffling mix where only those who are at the top really see the money. This isn’t just an issue through the supply chain though, it’s also an issue in many HQs in London. You see, the fashion industry is what I would deem Southist. Affording to enter the industry at entry level comes at a very high cost to your living quality and so the industry is massively favoured towards those who have family in London or who’s parents can continue to fund them whilst they live in the centre.
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Wednesday, 9 May 2018

Fashion Revolution Week; What I learnt

Fashion Revolution Week. E.K.W. Blog

Fashion Revolution Week takes place once a year on the anniversary of the Rana Plaza factory collapse which killed 1138 people and injured many more on the 24th April 2013. An event that many people are unaware of and an event where many fashion brands did not know if their clothes were even being made there. The worst part of the disaster was that it was preventable. Many workers had asked not to be forced to work in the building that had large cracks up the side and was known to be unstable, but due to no workers unions, and no voice, the workers, predominantly women had no choice but to enter and lost their lives as a result.

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